{"id":1210,"date":"2025-12-05T20:30:30","date_gmt":"2025-12-05T20:30:30","guid":{"rendered":"https:\/\/jazz-and-beyond.com\/?p=1210"},"modified":"2025-12-23T18:41:14","modified_gmt":"2025-12-23T18:41:14","slug":"alexander-von-schlippenbach-trio","status":"publish","type":"post","link":"https:\/\/jazz-and-beyond.com\/?p=1210","title":{"rendered":"Alexander von Schlippenbach Trio"},"content":{"rendered":"\n<p>Ich wei\u00df nicht mehr, wann das war. Ist aber schon ein Weile her, als ich Alexander von Schlippenbach das erste Mal gesehen hatte. &#8218;Da muss Du hin&#8216;, sagte mir mein Erinnerungsgef\u00fchl. Es hat sich gelohnt.<\/p>\n\n\n\n<p>Das Trio besteht aus<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Alexander von Schlippenbach, Piano<\/li>\n\n\n\n<li>Rudi Mahall, Bassklarinette<\/li>\n\n\n\n<li>Dag Magnus Narvesen, Schlagzeug<\/li>\n<\/ul>\n\n\n\n<p>Die Klarinette dominierte etwas gegen\u00fcber dem Piano, was schade war, weil man bei manchen Passagen sehr genau hinh\u00f6ren musste um den Altmeister am Piano zu h\u00f6ren. Insgesamt war es eine tolle Kombination mit dem Schlagzeuger, der viel auf den Toms, der Basedrum und der Snare zu h\u00f6ren war, nicht so viel auf den Becken.<\/p>\n\n\n\n<p>Nat\u00fcrlich eine Zugabe. <\/p>\n\n\n\n<p>Dann bin ich auf der Suche noch auf das Album &#8218;Monk&#8217;s Casino&#8216; gesto\u00dfen, das in den Jahren 2003-2004 live vom Alexander von Schlippenbach Trio aufgenommen wurde. Das englische Wiki dazu sagt eigentlich alles.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/jazz-and-beyond.com\/wp-content\/uploads\/2025\/12\/IMG_0823-144-H20cm-1024x768.webp\" alt=\"\" class=\"wp-image-1212\" srcset=\"https:\/\/jazz-and-beyond.com\/wp-content\/uploads\/2025\/12\/IMG_0823-144-H20cm-1024x768.webp 1024w, https:\/\/jazz-and-beyond.com\/wp-content\/uploads\/2025\/12\/IMG_0823-144-H20cm-300x225.webp 300w, https:\/\/jazz-and-beyond.com\/wp-content\/uploads\/2025\/12\/IMG_0823-144-H20cm-768x576.webp 768w, https:\/\/jazz-and-beyond.com\/wp-content\/uploads\/2025\/12\/IMG_0823-144-H20cm.webp 1512w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/jazz-and-beyond.com\/wp-content\/uploads\/2025\/12\/IMG_0825-144-H20cm-768x1024.webp\" alt=\"\" class=\"wp-image-1211\" srcset=\"https:\/\/jazz-and-beyond.com\/wp-content\/uploads\/2025\/12\/IMG_0825-144-H20cm-768x1025.webp 768w, https:\/\/jazz-and-beyond.com\/wp-content\/uploads\/2025\/12\/IMG_0825-144-H20cm-225x300.webp 225w, https:\/\/jazz-and-beyond.com\/wp-content\/uploads\/2025\/12\/IMG_0825-144-H20cm.webp 850w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Ich wei\u00df nicht mehr, wann das war. Ist aber schon ein Weile her, als ich Alexander von Schlippenbach das erste Mal gesehen hatte. &#8218;Da muss Du hin&#8216;, sagte mir mein Erinnerungsgef\u00fchl. Es hat sich gelohnt. Das Trio besteht aus Die Klarinette dominierte etwas gegen\u00fcber dem Piano, was schade war, weil man bei manchen Passagen sehr [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,29,4],"tags":[],"class_list":["post-1210","post","type-post","status-publish","format-standard","hentry","category-events-jazz","category-gewoelbekeller-unter-dem-jazzinstitut","category-jazz"],"_links":{"self":[{"href":"https:\/\/jazz-and-beyond.com\/index.php?rest_route=\/wp\/v2\/posts\/1210","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jazz-and-beyond.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jazz-and-beyond.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jazz-and-beyond.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jazz-and-beyond.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1210"}],"version-history":[{"count":7,"href":"https:\/\/jazz-and-beyond.com\/index.php?rest_route=\/wp\/v2\/posts\/1210\/revisions"}],"predecessor-version":[{"id":1219,"href":"https:\/\/jazz-and-beyond.com\/index.php?rest_route=\/wp\/v2\/posts\/1210\/revisions\/1219"}],"wp:attachment":[{"href":"https:\/\/jazz-and-beyond.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1210"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jazz-and-beyond.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1210"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jazz-and-beyond.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1210"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}